Untitled
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“Perhaps we cannot prevent this world from being a world in which children are tortured. But we can reduce the number of tortured children. And if you don’t help us, who else in the world can help us do this?” -
In the 1920s and 30s Paul Nash captured an age-old idea of England steeped in mystery and magic, in the forward-thinking language of modern art. His paintings of rural Britain’s standing stones, lonely copses and grassed-over forts are full of eerie surrealist expanses, jarring juxtapositions and semi-abstract forms. Clare Neilson’s collection of his work – including illustrated books, wood engravings, photos and letters – provides an engaging insight into his evolving passions. Neilson became friends with Nash when he lived in Rye; his Tyger Tyger uses a photo of a ruin in the forest and bears the words “collage for Clare”.
From the week’s best art shows - in pictures
Photograph: PR
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Great pic!
(via piratetreasure)
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(via piratetreasure)
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Love this picture.
(via vintageluxurytravel)
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I love these old pictures.
(via oldflorida)
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Just finished. A solid book.
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what a storm
How was this even taken?
Tripod. High ISO Speed that allows a fast shutter speed and a camera that is good enough to counter act the grain (since its pretty dark and I don’t see much grain). And one lucky split second where the shutter happened to be pressed just as this happened. It’s like a shot of a lifetime.
^^^^^THAT! :)
Holy fuck
fuck
omgggggg
I cannot count how many times I have reblogged this, and I will never pass up that opportunity.
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(via wiblog)
